Cricket’s long-simmering debate over pitch quality has just been thrown into a roaring fire by none other than the “Little Master” himself, Sunil Gavaskar. In a powerful statement that cuts to the heart of a global double standard, Gavaskar has declared: “If you don’t score on turning tracks, you’re not great.” This bold assertion comes on the heels of the ICC awarding its highest ‘very good’ rating to the Perth pitch that produced a chaotic, two-day Ashes Test, a stark contrast to the constant criticism heaped upon pitches in the subcontinent.
Gavaskar’s frustration is palpable and well-placed. He points to the stark disparity in how pitches are judged. A bouncy Perth track that produced 32 wickets in a mere two days of Test cricket is lauded as a “great” wicket, a true test of a player’s courage against pace and bounce . Yet, a pitch in India or Sri Lanka that offers sharp turn is often dismissed as a “dust bowl” that devalues the contest .
This, Gavaskar argues, is a fundamental cricket pitch bias that undermines the skill of batsmen who have mastered the most nuanced and technically demanding form of the game: playing spin. “Why is it that a batsman who can’t handle a short ball on a fast track is seen as brave for trying, while one who can’t play spin is simply called out as technically deficient?” he seems to ask the cricketing world .
The controversy centers on the ICC’s official rating system. According to their guidelines, a ‘very good’ pitch is one with “good carry, limited seam movement, and consistent bounce early in the match” . The Perth pitch, despite its extreme and match-ending nature, apparently met these criteria, earning its top-tier rating .
This raises a critical question: are the ICC’s criteria inherently biased towards the conditions of traditional cricketing nations like Australia and England? The system seems to reward the kind of consistent, steep bounce found at the WACA, while the variable, lower, and more deceptive bounce of a turning track is often viewed as a flaw, not a feature . This geographical inconsistency in evaluation is at the core of Gavaskar’s argument .
Gavaskar’s core thesis, forged in the furnace of his own record-breaking career on subcontinent pitches, is that batting on turning tracks demands a superior skill set. Here’s why:
In Gavaskar’s view, this intricate dance of skill, judgment, and courage is the true mark of a great batsman, a standard that many modern players fail to meet when they travel east .
This cricket pitch bias has created a skewed global hierarchy of batting. Success in England or Australia is often seen as the ultimate validation of a player’s ability. Victories in the subcontinent, however, are sometimes viewed with an asterisk, as if they were achieved on an inferior playing field.
Gavaskar’s stance is a direct challenge to this narrative. He is essentially saying that a player’s greatness should be measured by their ability to adapt and succeed in all conditions, but especially in the most technically demanding ones. A batsman who can only score on true, bouncy tracks but fails miserably against quality spin on a turning track is, by his definition, not a complete player and therefore not truly “great” . This perspective forces a re-evaluation of what we, as fans and pundits, truly value in the art of batting.
Sunil Gavaskar’s comments are more than just an opinion; they are a call for a more equitable and skill-based assessment of both pitches and players. The cricket pitch bias he highlights is a systemic issue that has long undervalued the unique and immense challenges presented by subcontinent conditions. Until the international community, including the ICC, recognizes that a turning track is just as valid—and perhaps even more skill-testing—than a bouncy one, this double standard will persist. True greatness in cricket, as Gavaskar reminds us, isn’t about thriving in just one environment; it’s about mastering them all.
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